Flat Rock HiFi Lounge collection
Marantz solid walnut covers
Flat Rock HiFi is now taking pre-orders for our custom, hand-built (in-house) solid walnut covers for any Marantz receivers that use the WC-22 case at a low introductory price of $250 each.
Custom Marantz Covers
Each cover will have its own unique walnut grain, no two will look alike. They are approximately 5/8" thick on the top and sides. No screws, they fit snug to fit over the metal case already on the unit. This also allows easy access for service when necessary.
In the near future we will also have covers for additional Marantz units.
Please note these are NOT cases, they are snug fitting covers that fit right onto the unit.
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AVAILABLE SOON (after servicing, testing, etc:)
Marantz 4270 2/4 receiver ('76-'77) 20 WPC
Marantz 4220 2/4 receiver ('75-'77) 20 WPC
Marantz 2440 quad adapter amp ('75-'78) 20 WPC
CURRENT COLLECTION as of 9/26/2025
All for sale unless marked otherwise,
For pricing & complete descriptions please use the selection menu at left
*NFS = Not For Sale
RECEIVERS:
Pioneer SX-550 receiver (1977) 20 WPC
Yamaha CR-640 receiver (1980) 40 WPC
MCS 3253 receiver (NEC Japan 1979) 55 WPC
Onkyo TX-4500 receiver ('77-'79) 65 WPC @ 4 ohms
Kenwood KR-4070 receiver ('78-'79) 40 WPC (recapped, restored)
Project/One Mark 800 receiver ('78-'81) 80 WPC
Nikko NR-819 receiver ('79-'84) 45 WPC
Luxman R-1050 ('77-'80) 50 WPC (recapped, restored)
Marantz 2215 ('73-'77) 15 WPC recapped, restored
(very rare limited production "champagne" tinted & engraved faceplate)
Reference 085R (1978) 8.5 WPC (very rare) *NFS
NAD 7250PE receiver/preamp (Mid 80's) 50 WPC
NAD 705 preamp / receiver ('92-'95) 40 WPC
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SEPARATES: (amps / integrateds / preamps / tuners)
McIntosh C-33 preamp / integrated amp ('81-'85)
Acoustat Trans Nova Twin 200 amp (early 80's) 200 WPC
JVC SA-S55 integrated amp ('77-'79) 60 WPC
Pioneer SA-7700 integrated amp ('72-'75) 60 WPC
Adcom GFA-535-II amp (1993) 60 WPC
Adcom GTP-400 preamp (1990)
Phase Linear 400 amp ('72-'77) 200 WPC
Phase Linear 4000 preamp ('76-'78)
Technics SU-7100 integrated amp ('78-'79) 35 WPC (custom wood)
Technics ST-7300 stereo tuner (custom wood)
Fisher FM-7000 stereo tuner ('78-'79) inc factory rack handles
Yamaha C6 stereo preamp ('80-'82)
Tandberg 3002 control amp / preamp (1980)
Tandberg 3003 power amp (1980) 150 WPC
Tandberg 3001 FM tuner (1980)
Hafler DH-200 amp ('79-'82) 100 WPC *NFS
Hafler DH-110 preamp ('80-'89) *NFS
Carver TFM-35 power amp ('92-'93) 380 WPC *NFS
Carver M-1.01 power amp (1986) 200 WPC SOLD
Carver M-1.5T power amp ('80's) 350 WPC
Moscode Minuet tube preamp (mid 80's)
Phase Linear 2000 stereo console preamp (1986)
Marantz 250M amp ('76-'78) 125 WPC *NFS
Marantz 1040 stereo console amp 20 WPC ('74-'78)
Marantz 1060 stereo console amp (1975) 30 WPC *NFS
Marantz 115 tuner ('73-'74) *NFS
Nikko Beta 20 preamp ('81-'84)
Adcom GFA-545-II power amp ('91-'92) 100 WPC
Adcom 5400 power amp ('97-'07) 200 WPC @ 4 ohms
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SPEAKERS:
Cambridge Soundworks Model Six speakers (Henry Kloss / early 90's)
Snell THX/ICS 1000 speakers ('00-'03)
Yamaha NS-500M (mid 80's)
Pioneer HPM-900 ('80-'83) SOLD
JBL Venue Monitor (2005)
Jamo S-606 (2008)
Vandersteen 2Ce ('91-'01) with original boxes
KEF TDM 34DS dipole ('94-'01) pearl white
Altec Lansing Model 310 ('93-'95)
Infinity RS-3000 ('88-'90) refoamed
Energy C-Series 500B-1 ('06-'11)
B&W CDM-1NT (England, mid-90's)
Cerwin Vega D-1 ('88-'90) SOLD
Acoustic Research-25BXi (early 80's)
Acoustic Research TWS-210 ('91-'92) SOLD
Gallo Acoustics Reference Strada II (2011) SOLD
Axiom VaSSalo Series (M60 V2 / VP150-V2 / QS8-V2) ('06-'10) cherry
Siefert Research Maxim III (1985) walnut
Bose 501 Series 1 ('71-'76) refoamed and restored
Dali Spektor 2 (Denmark '18-'22) cherry *NFS
Dayton Audio Classic T65 (2024)
Dayton Audio Classic B65A ('01-'04) SOLD
JBL 620 Studio 6 Series ('22-present) dark cherry
JBL 4408 near field monitors ('87-'03) refoamed
Monitor Silver RS-8 (2005) teak finish
Klipsch Chorus II ('90-'96) *NFS
Klipsch Reference Premier RP-160M ('12-'22)
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TURNTABLES:
Pioneer PL-41 ('69-'72)
Sansui SR-2050C ('72-'74) auto-up stop
Denon DP-45F ('82-'85) fully recapped & restored
Pro/Ject Elemental ('17-'23)
Optonica RP-3636-MKii ('76-'78) *NFS
B&O Beogram 1800 type 5813 ('84-'86) w/ NEW MMC4 stylus
B&O Beogram TX2 ('85-'91) w/ NEW MM3 stylus
JVC VL-5 (1972)
JVC QL-A2 ('78-'80)
Technics SL-23 (1976)
Sanyo Plus Q40 ('79-'81)
MCS 6601 (aka Technics SL-1900) (1978)
Music Hall US-1 (new)
Realistic Lab 400 (1978)
Panasonic SL-800 ('74-76) rare quad capable turntable
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TAPE / CD / MISC
Optonica RT-6501 stereo cassette deck ('78-'80) recapped, restored
Sony TC-229SD stereo cassette deck ('76-'79) recapped, restored *NFS
Sony TC-165 stereo cassette deck (1975)
Rotel CD11 Tribute CD player (2022) SOLD
Tandberg TCD-310 stereo cassette deck (Norway '74-'76)
NAD 614 cassette deck ('95-'96)
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FEATURED PRODUCT OF THE MONTH
Siefert Research Maxim III-H (1985) H=hybrid
The Maxim III-H (hybrid) is best described as the last and best configuration (as designed by *Dan Siefert) of a two-way, compact system featuring 40-Hz resonance woofers, low IM distortion, low group delay and with high power handling capability.
The enclosures:
Essentially a 2-way system, these front-ported, black-lacquered grained oak, tuned-bass reflex enclosures (with radius edges) are based on the special relationship 4:5:6, which minimizes internal nodal reflections. Remarkably solid, 3/4" particle wood and high density fiberboard, plus rigid internal bracing. The narrow baffles provide excellent dispersion and enhanced imaging. They have sequential serial numbers for a matched pair.
The drivers:
Specially designed Dynaudio 6.5" woofers (18 oz ferrite magnets, 1.25" voice coils) feature ultra-compliant butyl surrounds combined with polypropylene cones containing proprietary inert damping compound that makes them twice as thick as most woofer cones.The SEAS tweeters (8.7 oz ferrite magnets) are 1" special aluminum domes with polyamide surrounds, this upgraded tweeter design makes them hybrid, or, the "H" model. (see Dan's technical explanation below)
The crossover network:
3.3 kHz, conjugate-compensated, first order, minimum phaseFrequency response: 46 Hz ~ 22kHz...8 ohms...power handling up to 250 watts...sensitivity 86 dB @ 1 watt...size (ea) 13" H x 9" W x 11 "D...18 lbs (ea)Finally, the Maxim III-H (Hybrid) is true high quality system, 100% made in USA. They easily rival the quality of famous German/American speakers like Visonik, Braun, ADS, B&W, etc.
The story:
Several years ago, we came across a pair of unknown (at the time) Siefert Research speakers. We were intrigued enough with the design and sound to jump online and (eventually) track down the designer, Dan Siefert. *(see bio below). He was kind enough to reply with a wealth of inside information way beyond what was available online. He recommended looking for a pair of Maxim III. He also sent us a package with original spec sheets, sales sheets and technical design information about the Maxim lineup.
Then, in December 2018, after finally finding a mint pair of Maxim III(H), we contacted him again in regards to what the "H" meant on these Maxim III(H) speakers.
Dan's reply:12/27/18"
"With the Maxim III-H you have what I consider the best series of Maxims. The "H" stands for hybrid. Looking at the tweeter you will notice that the dome is aluminum but the surround (outer edge) is not. 99.9% of all dome tweeters are a single piece construction. So, if you have an aluminum dome (high stiffness), the surround would also be aluminum. Aluminum makes a great diaphragm but a lousy surround (where you want high compliance, not high stiffness."
In the '80's there were almost no hybrid construction tweeters. Today they are somewhat more common.
Bottom line:
The hybrid tweeter combined the high stiffness of an aluminum dome with the high compliance of a polyamide surround! Making a very good speaker even better.
Stereophile magazine review 1985:
"There are very few loudspeaker systems of any price that don't make a critical listener accurately unhappy when he or she returns from a live concert to put on a recording. The Maxim is, amazingly, one that doesn't. In fact, of all the speakers in this price class that I have heard. I would say that Siefert's Maxim III is probably the most successful design of all. Mated with a suitable power amplifier, and not pushed too high a listening level, it is one of a small handful of moderately priced speaker systems that can make most audiophiles (and practically all music lovers) quite happy for an indefinite period of time. Recommended."
~J. Gordon Holt (Stereophile magazine July 1985)
Read more at https://www.stereophile.com/.../siefert-maxim-iii...
About Siefert Research...
Dan Siefert began his engineering career in 1975 at Great American Sound Company, designing high-end solid-state audio pre-amplifiers and power amplifiers. In 1983, Dan founded Siefert Research in Los Angeles, designing, manufacturing and marketing high performance loudspeakers...not through dealers but direct to customer. In 1986, he joined Harman International Industries, Inc . as a Senior Systems Design Engineer. While at Harman, Dan brought several speakers to market for professional, consumer and computer/multi-media applications. He was assigned to the Research and Development department, reporting to Dr. Floyd Toole. Dan then focused his attention on measurement technologies and contributed to the development of Harman's advanced subjective and objective measurement techniques.
In 1996, he founded One on One Technical Products, Inc. and, as of 2018, is the CEO, providing engineering services to the Consumer Electronics Industry. He is a member of the Audio Engineering Society (AES), the Acoustical Society of America (ASA) and the Custom Electronics Design and Installation Association (CEDIA). Dan is also a certified THX Home Theater Products developer.
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