('78-'80)   $300

In excellent cosmetic condition, fully serviced and in perfect operating condition, this JVC QL-A2 turntable was originally designed to compete in the very crowded market of "mid-fi" units in the late 70's.  The QL-A2 is a quartz-locked, direct-drive, semi automatic turntable that has automatic return, reject and auto-shutoff.  

The S-shaped tonearm features angular contact bearing with its super-gentle, oil-damped cueing.  The original and distinctive headshell comes mounted with an excellent Audio Technica Reference Series 3003 cartridge (with detachable 1/2" mount)  and brand new ATN-3472SE stylus

JVC's super dependable quartz-lock Super-Servo frequency generator combined with the "no cogging" corless, direct-drive DC servo-motor are easily the table's best qualities with yields of only -73dB rumble, 0.025% WRMS wow & flutter and a signal to noise ratio of 72dB.  The basic circuit configuration of the QL-A2 is the same one used in their higher end QL-A4 turnable. 

Unique to the QL-A2 (and QL-A4) was the "one row" strobe so you can visually confirm speed accuracy.  Since the frequency is changed with the speed, only one row of calibration dots is necessary.  

The original factory feet have added foam pads to provide vibration isolation.  The satin finished "charcoal" plinth with the silver accents and the pristine acrylic dust cover really does look stylish and cool! This is a really good looking, extremely reliable turntable.

About JVC (Victor) of Japan...
JVC was established in Yokohama, Japan in 1927 as the Japanese subsidiary of the U.S. firm, Victor Talking Machine Company (later to become RCA Victor). They pressed the very first record ever...in Japan in 1930. 

It should be noted that, during World War 2, JVC backed away from RCA Victor, retaining the 'Victor' and "His Master's Voice" trademarks for use in Japan only. After the war, when everybody was "pals" again, JVC resumed distribution of RCA.

One of the more interesting facts about JVC was that they built ALL their products in-house.  Many other famous Japanese electronic companies farmed out a lot of design and manufacturing to subcontractors.  That alone doesn't mean anything is necessarily wrong with having others build your gear but to have control of the entire process in house was quite unusual.  Plus it saved a lot of money...allowing JVC to provide high quality gear at a lower price than some of the competition.

Specifically, (in regards to vintage stereo gear) their unusual approach to design included the extensive use of multi-band graphic equalizers instead of simple bass / mid / treble controls.  The quality of their vintage turntables, cassette decks and other electronic gear is mostly first rate and has emerged from being "under the radar" of collectors looking for excellent value. 

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$500

Completely mechanically restored and in excellent cosmetic condition, this magnificent PL-41 was Pioneer's top of the line. It is one of the finest professional turntables that Pioneer produced in the early late 60's and very early 70's.   

For those unfamiliar with this model, it is one of the very first belt drive turntables that utilized a beefy, over-sized, hysteresis synchronous motor (originally made for idler drive units that needed a lot of torque) that make for a very nice combination of drive and silence that is hard to find. 

The 4-pole aluminum alloy die-cast platter itself is a work of art, weighing in at 5 lbs, it takes all that motor torque and yields a steady speed at 33 or 45 RPM. Two push-buttons, provided on the belt cover, control selection of speeds.  Pressing the desired speed push-button will automatically set the turntable for operation of the speed marked on the push-button.  

The Pioneer-designed crossbar gyroscope tonearm is a beauty as well.  This is a manually operated turntable with one simple lever that controls everything, very easy to use.  The original Pioneer headshell comes with an excellent Empire LTD-400 cartridge and gently used Empire S400-LTD stylus. 
The massive solid walnut plinth is simply flat out gorgeous...it's hard not to watch it play a record, it's that good looking.  Fairly heavy at 25 lbs, it's a fine piece of vintage gear.

Finally, the original and heavy clear acrylic dust cover is in excellent condition as well.

About Pioneer...
Not much more needs to be said about Pioneer other then the simple fact that the name is known worldwide for above average quality and excellence in high fidelity component design.  They were the unchallenged leader in stereo advertising and marketing in the 70's.  Back in the day, Pioneer made it clear that if you didn't have a Pioneer stereo system in your house (or college dorm) you just didn't have the right stuff.

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(aka Technics SL-1900, 1979)  $300

In excellent cosmetic and operating condition, this MCS 6601 is definitely a Technics-made unit with the same motor, tonearm and main circuit board as the well known Technics SL-1900.
The basic difference is topside cosmetics and, in our humble opinion, the 6601 is better looking than the SL-1900.  

Originally sold by JC Penney as part of their house branded "Modular Component Series", the 6601 is a 2-speed, direct-drive, semi-automatic (arm returns and motor shuts off at end of play), gentle cueing, anti-skate and variable pitch controls for both 33 and 45 RPM settings.  The entire unit is finished in satin black MDF with white silkscreen lettering.

The headshell comes mounted with a brand new Audio-Technica AT-VM95C dual moving magnet and new stylus

The 6601 features a heavy platter linked to the direct drive mechanism and an acoustically damped base to help prevent rumble and feedback problems.  The excellent Technics motor has a quartz lock loop for accurate and stable speed.   The dust cover is also in pristine condition.
The 6601 is one of the very best MCS turntables that Technics designed for JC Penney.

About MCS (Modular Component Systems)...
MCS was the house brand for JC Penney back in the 70's and was often passed over by audiophiles simply because it was sold by Penney's.  However, in our opinion, whoever worked for JC Penney's electronics acquisition department at the time certainly had discerning taste which resulted in some very good products being offered. There is some debate over who actually manufactured the MCS series for JC Penney. Most seem to agree that it was either NEC while others mention Technics. 
Probably the different models in the MCS line were made by different manufacturers, all of whom designed great products for Penney's.  By the late 70's, it was near the end of the receiver power wars and despite the fact that most of the mid to high range MCS units had actually incorporated some of the latest technology at the time, digital was looming on the horizon and was about to change the face of HiFi.

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type 5813 (1984)  $450

In pristine cosmetic and operating condition, this Beogram 1800 was obtained from the estate of the original owner.   After it was purchased new in 1984, it was used very sparingly, if at all.  It appears as new.

The fully automatic Beogram 1800 combines ease of operation with superb performance specifications.
It featured a new, advanced type of tone arm carrying the remarkable MMC4 cartridge & stylus with its unframed, elliptical diamond stylus. 
(NOTE:  We examined the stylus tip with a jeweler's loupe and verified absolutely no discernable degradation of the tip, it's essentially new.)

The platter was of a lightweight design (400 grams) to reduce torque at starting.

Its carefully milled profile, with large metal surfaces set between slim bands of Nextell, ensured high electrical capacitance between the record and the metal, effectively earthing static charges without actual contact. It's driven by a flat rubber belt from a tacho-controlled DC motor. The belt’s compliance acted as a mechanical filter, preventing motor vibrations from reaching the record and stylus.

To complement this improved arm/cartridge combination, the Beogram 1800 had a new faster-acting movement control system with separate cam wheels for vertical and horizontal arm movement, so that automatic operation gave you music within a very few seconds. So cueing was really fast, but still careful of your records.

For improved record safety, you can operate normal PLAY and STOP functions while the lid is closed. Just one touch – the rest is automatic. Record size and speed is identified by the Beogram’s logic circuits. Beogram 1800’s slim plinth has a brushed aluminium finish.  Opening the lid gives access to three further function controls: CUE, 33 and 45 speed overrides (for non-standard discs).

Beogram 1800 was designed by Jacob Jensen and at the 1969 Hanover Fair Bang & Olufsen and Jacob Jensen were presented with the iF award for no less than 4 products for ‘outstanding industrial design’ including Beogram 1800.

About Bang & Olufsen turntables...
Bang and Olufsen introduced the world's first tangential-tracking turntable (Zero tracking error) - the BeoGram 4000, in 1972. It has a permanent place in the NY Museum of Modern Art. The updated models (produced from 1974 to 1980) were available as the BG4002 - a stereo version (without a builtin RIAA amplifier), and as the BG6000 quadraphonic version with a built in CD4 demodulator / RIAA amplifier. They were superseded by less expensive and much lighter range of models (Type 59xx) produced from 1985 to 1994. They all looked very similar from the outside, and inside had identical circuit boards, and operating mechanisms. They have proven very reliable over the subsequent 30 or so years, with only a very small number of consistent defects, beyond regular wear and tear. 

About Bang & Olufsen...
It all started in 1925, when two engineers, Peter Bang and Svend Olufsen, began a modest production of radios in the attic of the Olufsen family home, 'Quistrup'. The company of 'Bang & Olufsen' was founded on 17 November that same year by the two young engineers who shared a passion for radio transmissions. Their first product was developed in the attic of the Olufsen's manor house in Denmark where the family still lives today.  

In 1940 Bang & Olufsen introduced dealer campaigns which included eye-catching window decorations and shop fitting ideas. Thus began the now international network of authorised Bang & Olufsen dealers.

During their time together Peter Bang and Svend Olufsen were considered unorthodox in their approach - conventional wisdom held that products of the twentieth century should display their technicalities and little or no attention needed to be paid to their physical appearance. Their innovative ideas were to form the basis of the success of the company in the years to come. Bang & Olufsen is - and has always been - a visionary enterprise.

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(1972)  $400

Completely restored with a (few added custom accessories), this beautiful JVC VL-5 is a two-speed, belt-drive stereo turntable that has a unique timberwood headshell with a brand new Audio Technica AT-VM95C moving magnet cartridge & stylus. Added to that is the custom cork n' rubber platter mat with its "wood-like" pattern.  All of these added accessories blend very nicely with the overall appeal of the massive walnut base on this early 70's turntable.  A brand new (correct) belt is also included.

Back story:
During the early 70's, competition in the turntable market was fierce between all the major leading Japanese brands.  One of the most popular was Pioneer's PL-41 with it's huge, real timber-wood case.  However, the PL-41 (despite it's obvious beauty and excellent build), is a manually operated deck meaning you had to be there to pick up the arm at the end of the record.  A lot of folks prefer a manual table, that's fine.  JVC went a step further to compete with Pioneer.  

The huge electronics conglomerate JVC/Victor Co decided to go head-to-head with Pioneer and brought out the VL-5.  Similar in physical design to the PL-41, the VL-5 has the same type of beautiful real timber case, large tinted dust cover with strong metal hinges (they never break) but it had two major upgrades while selling for the same price as the Pioneer.

The upgrades?  The VL-5 is CD4 capable and has a convenient tonearm *auto-up at the end of play.  So, the JVC VL-5 is a semi-automatic, two-speed belt drive with a cueing lifter and static balanced S-shaped tonearm that offered the customer the ease of operation and no worry at the end of play.  Plus, if you desired, it could deliver excellent stereo or 4-channel playback.
*NOTE: at the end of a record the tone arm will raise up and float back toward the rest stand a little. However, the turntable will not turn off until you move the tone arm back to the rest stand.  It may seem strange but that is the way JVC designed this turntable. The most important thing is having the stylus up off the record at the end of play.

Inside, as far as servicing goes, the VL-5 is so simple to take care of, it's a breeze even if you're not technically proficient.There can be no argument that, when it comes to the "vintage" look of the 70's, the JVC VL-5 definitely has that...in spades.

About JVC (Victor) of Japan...
JVC was established in Yokohama, Japan in 1927 as the Japanese subsidiary of the U.S. firm, Victor Talking Machine Company. They pressed the very first record ever...in Japan in 1930.  One of the more interesting facts about JVC was that they built all their products in-house.  Many other famous Japanese electronic companies farmed out a lot of design and manufacturing to subcontractors.  That alone doesn't mean anything is necessarily wrong with having others build your gear but to have control of the entire process in house was quite unusual.  Plus it saved a lot of money...allowing JVC to provide high quality gear at a lower price than some of the competition.
Their unusual approach to design (for vintage stereo gear) included the extensive use of multi-band graphic equalizers instead of simple bass/mid/treble controls.  The quality of their vintage turntables and electronic gear is mostly first rate and has emerged from being "under the radar" of collectors looking for excellent value.

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('71-'72)   $400

Obtained from the original owner, this Sansui SR-2050 was on our bench for a full service.  It then was tested to be fully operational.  Cosmetically, this turntable is pristine and that includes the original dustcover.  

The turntable comes with several upgrades including: 
~brand new *correct belt
~unique real timberwood headshell
~new Ortofon Omega cartridge & stylus
~"Corky" (cork & rubber) platter mat

*(NOTE: No matter who designed it, each belt-drive turntable generally requires a specific belt with the absolute correct dimensions (width, length and thickness).  Even being a milliliter off in size can affect the speed of the platter.

The pure definition of what a vintage turntable looks like, the Sansui 2050 is a precision 2-speed belt drive "automanual" turntable.  Basically it's an automatic turntable because it utilizes auto lift and auto stop mechanisms. But, instead of using end-of-play tonearm speed to trigger the lifting mechanism, the Sansui 2050 uses a special detector circuit to activate a relay control system.  The marketing described it as an automatic without the negative effects of automatic.

Everything else such as the belt drive, speed selection and hydraulic cuing are similar to  a manual turntable.  There was a "C" designation on the SR-2050 meant that it came with the Sansui cartridge. You could also order it without the cartridge which would be the SR-2050E.

The SR-2050 uses a heavy 12" aluminum alloy platter and a four-pole hysteresis synchronous motor. The two buttons on the left of the turntable are the speed selection buttons.  

Sansui didn't skimp on the electronics either as they used gold plated connector terminal pins in the tonearm.  The tonearm is static balanced, "S" tubular shape with an inside force canceller, lateral balancer and direct readout stylus pressure scale.  The aftermarket custom-built, solid timberwood headshell comes with a new Ortofon Omega cartridge and stylus.

The base is made of beautiful, real timberwood walnut veneer and the clean original tinted dust cover has a convenient chrome kickstand.  At about 26 lbs in weight, the SR-2050C is a solid, reliable, great looking vintage turntable.

Basic specs:
Signal to noise ratio: better than 40dB
Wow and flutter: less than 0.07%
Dimensions: 7.5"H x 17"W x 14"D
Weight: 26 lbs

About Sansui...
Sansui Electric Co., Ltd. was founded in 1947 as a manufacturer of transformers, but already in the 1960s it gained a reputation as a serious producer of audio components. Despite its huge popularity (especially in the United States) in the 60s and 70s, after 1985 the company began to bring much less profits than its rivals (Sony, Pioneer or Technics). It was the end of the heyday of hi-end equipment, which was related to an increase in sales of personal computers. At that time, Sansui Electric Co., Ltd. focused on the production of high-end components in Japan, and also started to produce high quality TV sets and other video equipment, while stopping exports. At the end of the 90s, the brand name was used on video devices manufactured by other companies.

Eventually, Sansui Electric Co., Ltd. as part of Grande Holdings went bankrupt in 2014. It is worth noting that Sansui was the first company to use transformers in audio equipment, and first to introduce to the market a high-voltage tube-transistor (hybrid) amplifier and a QS / RM system (Quadrasonic System / Regular Matrix), which allowed to obtain four-channel sound from two-channel one.

Sansui products were world-famous for their excellent sound engineering, great design and the highest performance already in the 60s. It was possible thanks to the fact that each model was created from start to finish by Sansui experts. In order to ensure stable and top quality only the best parts were used in the production and each device was repeatedly tested with precise measuring instruments before being delivered to the customer. Thanks to such an approach, Sansui Solid State receivers were characterized by low distortion, higher damping factors, greater dynamics, and most of all much better sensitivity and selectivity.

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('14-'24)   $375

This highly stylized Pro-Ject Elemental turntable is an exceptional example of Pro-Ject’s rich history.  The company was proud to offer it as a true collector’s item.  This fully manually operated turntable comes with a new belt and new Ortofon OM-5E cartridge & stylus.  

Although they are no longer in production, this series served as a tribute to their legacy, allowing audiophiles and enthusiasts alike to own a piece of Pro-Ject’s illustrious past by reintroducing some of the most iconic turntables they created over the three decades. 

It's best described as "A Perfect Blend of Minimalism and Sound Quality"

From Pro/Ject's brochure:
The Elemental turntable is the epitome of pure simplicity, yet it excels in delivering high-quality audio performance. Its unique and functional design stands out, embodying the essence of minimalist aesthetics while catering to discerning listeners.

One of the standout features of the Elemental is its central gravity mass point, crafted from an artificial stone and strategically positioned directly beneath the platter bearing. This innovative design effectively absorbs unwanted rumble and motor vibrations, ensuring that the sound remains clear and true to the original recording.

Crafted with Expertise

Proudly made in Europe, the Elemental turntable is the result of the dedication and craftsmanship of our technicians, engineers, and designers, all of whom possess decades of experience in the audio industry. Their commitment to quality and innovation shines through in every aspect of the Elemental.

In conclusion, the Elemental turntable is more than just a piece of equipment; it is a celebration of our history and a testament to our ongoing commitment to excellence in audio. Whether you’re a long-time fan or new to the world of vinyl, this turntable promises to deliver an unparalleled listening experience that honors the past while looking toward the future. 

Pro-Ject was founded in 1991, during the onslaught of the compact disc and CD players, with the mission to offer the best analog experience for reasonable prices. In a time where the digital audio media had been on the rise, and vinyl was declared as outdated and dead, Heinz Lichtenegger kept his belief in the simple but best way to enjoy music – turntables.

With cutting edge technologies and machines, they are able to create visually pleasing products without losing the eye for the finest details. In Czech Republic, they produce all their turntables from scratch, by hand and in house. From the tiniest screw to the chassis, everything is done by their technicians. A strict four step quality control ensures that everything works as intended. In Slovakia they also manufacture micro sized high end audio components. 

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 ('82-'85) fully recapped & restored)  $750

In outstanding cosmetic condition and functioning perfectly, this beautiful Denon DP-45F turntable has been completely recapped and restored.  Additionally, all of the essential interior and exterior moving parts have been inspected, lubricated and tested to improve longevity and function of this turntable for years to come.  All of the service work was performed in 2023.   A custom-built, double-box with packing materials is included. 
This beauty also comes with custom adjustable polished solid steel and cushioned feet.

One of the most popular turntables to come from Japan, this DP-45F  features Denon's dynamic servo tracer, direct-drive system to control low frequency resonance in the low mass straight tonearm.  The DP-45F has outstanding anti-howling characteristics achieved by a cabinet made of gorgeous rosewood laminate HDC (high density compound).  Because this particular table was not an export model (it is a domestic unit rated at 100 volts, made to be used in Japan.)  A step-up transformer is included for use in America (converts 100/110/120V).

This is a fully automatic with feather touch controls for start/stop, arm up/down, repeat, speed selection (servo by frequency detection and phase servo control) and record size.

The lightweight straight tonearm extracts the maximum performance from the very fine Ortofon Blue cartridge & stylus.  This Ortofon Blue has less than 50 hours of use which means it's basically new.   The DP-45F is designed to recognize any record size automatically.  Also, if there is no record on the platter, the tonearm will not move because the unit is fitted with Denon's unique magnetic record detection system.

Chatter and specs (from VinylEngine website):

"The Denon DP-45F Features an automatic record size detection system.
When no record is present on the turntable, the tonearm won't function, thereby protecting the stylus tip from any potential damage.
The microprocessor controlled, contact less tonearm ensures safe, easy to use operation with no deterioration in sound quality.
Even with the most up to date high grade records, its tracing ability is excellent."

Specs:
Type: Quartz fully auto
Tonearm: dynamic servo tracer system
Drive system: direct drive
Motor: linear drive motor
Wow and flutter: 0.012% WRMS
Signal to noise ratio: 78dB
Dimensions:17"W x 5.3"H x 16.2"W
Weight: 15.5 lbs

About vintage Denon...

The Denon brand was first established in 1947 when Nippon Columbia merged with Japan Denki Onkyo.  They further went on in May 2002 when Denon Ltd and Marantz of Japan Inc. merged to become one company.

Many of Denon's audio creations have become highly sought after by true audiophiles as Denon never skimped on quality, they chose to make the best gear with the best parts available at the time.

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In absolutely perfect cosmetic condition and fully operational, this beautiful Realistic Lab 400 turntable was one of the top 3 turntables to ever come from Radio Shack (affectionately referred to as the "Shack").  At the time of release it was right there sharing kudos with the Lab 500 at the top of the turntable lineup in the early 80's.    Designed in-house by Tandy's own engineers and constructed by CEC (Chuo Denki Co, LTD Japan), it was sold exclusively by Radio Shack.  At the time of its release in 1978, the Lab-400 was proudly described by Radio Shack as the "finest turntable we’ve ever offered!"

The 400 is practically identical to the 420 except the 400 has the traditional S-shaped arm vs the straight pipe arm on the 420.  Essentially, the Lab 400 is fully automatic so you never have to touch the tonearm. Just pick the correct record size and push the start switch. The 16 pole brushless DC servomotor does the job with ratings of 0.03% wow and flutter and better than 63dB rumble. 

Its reputation is well deserved and best described as a heavy (16 lbs), very solid, direct-drive, automatic deck with selectable repeating play.  With very precise speed and onboard strobe, the pitch controls allow for any future minor speed adjustments if necessary.  The static balanced S-shaped tonearm has a beautiful real timberwood headshell.  The tonearm's thoughtful design has it operating independently by a second motor.  And, because the tonearm has its own DC motor, it’s completely independent of the platter drive.  Also, the headshell comes mounted with a brand new Ortofon Omega cartridge and stylus.   The 3.1 lb diecast platter dampens acoustic resonance and eliminates exterior vibrations.  This platter rests directly atop a powerful DC servo-motor for accurate, rock-steady speed.  The original factory feet have custom padded foam pads to help prevent any unwanted resonance.

Designed to be completely operated even with the dust cover lowered, the out-front controls include: 
~Start/stop switch...
~Repeat switch that lets you continuously play one side of a record... 
~Damped cueing switch that gently and precisely lifts and lowers the stylus...
~33/45 RPM control button...
~Pitch control dial...
~Dimensions: 5.5"H x 17.5"W x 14"D

About Realistic/Optimus/Radio Shack/Tandy Corp...
Realistic branded vintage stereo gear is all over the place. Some of it is right up there in quality with the best of Pioneer, Sansui, etc. Also, some of it is just...ok. Their best era was during the 70's when they successfully competed head-to-head with all the big names in high fidelity. They sourced practically all their products from Japan and sometimes had the exact same components inside their gear as the competition but at a much lower price.

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('79-'83)  $300

Designed in-house by Sanyo and built in Japan by *CEC, this Sanyo Plus Q40 is in perfect cosmetic and working condition.  When it was released in 1979 it was considered one of their higher end, high-performance turntables due to it's solid craftsmanship.  This Quartz PLL, fully automatic, direct-drive turntable is, in reality, a high quality design of electronic equipment  

Its drive system utilizes a two speed control system with a quartz-locked PLL servo motor for ultra steady platter rotation at nominal speeds and an FG servo to maintain speed constancy while allowing for pitch control variations.  It has quartz-locked speed, illuminated strobe and a retro modern, sleek satin black plinth with a silver aluminum high density base for near zero problems with resonance.  A walnut veneer wraps around the lower front and sides for a touch of elegance.  Finally, the original dust cover with solid metal spring hinges is crystal clear.

The automatic operation, unlike most other turntables, is not a deterrent to performance because the Plus Q40 incorporates a second, totally independent motor for all tonearm functions.  There are simple pushbuttons along the front panel that perform all the functions; you never have to touch the tonearm.

The low mass straight pipe tonearm includes a very good Audio Technica AT-LS300 cartridge and like new AT LSN-300 stylus.  
The spring loaded feet are adjustable and each has an additional custom foam pad under them for additional resistance against resonance.

NOTE: There are several turntables in Sanyo's "Plus Series" that are very highly thought of.  They are elegant looking and very well built as one would expect from C.E.C., the company which actually made Sanyo tables. See below for more detail about CEC)

Specs:
Fully automatic, direct-drive
Motor: Quartz PLL brushless servo
Speeds: 33 and 45rpm
Wow and flutter: 0.03% wrms
Rumble: 70dB
Tonearm: static balance straight pipe
Dimensions: 17.3"W x 15"D x 6.2"H
Weight: 15 lbs

*About CEC...
There are several turntables in Sanyo's "Plus Series" that are very highly thought of.  They are elegant looking and very well built as one would expect from C.E.C., the company which actually made Sanyo turntables. 

Since it was founded in 1954, CEC/Chuo Denki Was one of Japan's largest turntable manufacturers. Their belt and direct-drive turntables are by and large at the very least very good and many are actually superb. They manufactured turntables for many better known brands like Marantz, Realistic, Sanyo, Fisher, and so many more. Their turntables are reliable and easily maintainable today, and perform very well. Most knowledgeable HiFi folks highly respect their design and engineering quality.

About Sanyo...
Sanyo Electric Co., Ltd. was a major Japanese electronics company and formerly a member of the Fortune Global 500.  They were one of the few electronics companies (like Hitachi) that made most of their own high fidelity components in-house using their own parts.  They also supplied some of the other big names like Pioneer, Sansui, etc. with Sanyo built parts and components. Their late 70's JCX and PLUS series of receivers are very well known and in high demand by audiophiles.  At one point in their history, they had over 230 subsidiaries and affiliates.  Sanyo was eventually bought by Panasonic in 2009. 

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